Mastering & Creating Your Last Mix Like the Pros (Mastering Process).

Normal areas of concern for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing in between songs. Equalization: Sometimes you'll desire to change the eq or compression on a mix after you've done the final mix. Or you may have 10 tunes mixed by three various engineers in 5 different studios.

Each song's eq might seem best by itself, but if you series them together, all of a sudden one song sounds too brilliant (or too dull ...). Suggestion # 1: keep in mind that any eq changes to your stereo mix impact the entire mix - if you want to cut 3 db at 80Hz due to the fact that your mix sounds muddy, keep in mind to check how that impacts all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not just to control a mix or to add character, however likewise to "print" or send as much level to the master as possible without clipping the signal.

Spacing & Crossfading.

Spacing: there are different viewpoints regarding how one must approach the areas put in between songs on a record. Some feel the downbeat of one tune ought to fall at the start of Hip Hop Beats a brand-new bar, in the tempo of the previous tune (to continue the flow.) Others believe you should prevent this like the plague, since it lessens the impact. In the end, do whatever feels. There is no standard. Cross-fade your songs if you like, or location six seconds in between them. (2-4 seconds is common in a lot of popular, non-classical records, but it depends on you.) Last suggestion: you might be inclined to master the same recordings that you blended, whether it is for monetary reasons, innovative factors, or merely due to the fact that you can. But we strongly advise that you get someone else to master your task. The objectivity and fresh ears they give the table invariably result in a more powerful, more cohesive album.


Common locations of issue for a mastering engineer are: equalization (eq), compression, levels (volume) relative from one tune to the next, and spacing between songs. Or you might have 10 tunes mixed by three various engineers in 5 various studios.

Each song's eq may appear best by itself, but if you sequence them together, unexpectedly one tune sounds too bright (or too dull ...). Suggestion # 1: keep in mind that any eq modifications to your stereo mix affect the whole mix - if you want to cut 3 db at 80Hz because your mix sounds muddy, remember to inspect how that affects all the instruments (e.g. the vocal), not just the bass guitar and kick drum. Compression: In mastering, this is utilized not simply to control a mix or to add character, but likewise to "print" or send out as much level to the master as possible without clipping the signal.

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